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5 Conversations premiered at the Wichita Orpheum Theatre on May 28, 2005.

See the complete cast and crew here.

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5 CONVERSATIONS


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It’s Happy Hour on Friday, but no one at this bar seems too happy. A young man (Alex Dryden) and his boss (Zoe Burgess) enjoy a dangerous flirtation; two young businessmen (Jason Miller and Nate Cadman) discuss their failures in love; an engaged couple (Mac Welch and Rebekah Dryden) fight, and then try to figure out why they fight so frequently; a pair of young women (Amy Grimm and Megan Upton-Tyner) take a crack at "getting back out there"; and a young writer (Kenneth Mitchell) approaches an interesting young woman (Anna Horsch) who shares a secret. We eavesdrop on these five simultaneous conversations individually, as the seemingly unrelated pairings become more and more intertwined by connections both predictable and surprising.

5 Conversations is the thirteenth film from local writer/director Jason Bailey and his filmmaking collective, Films On Consignment. It is also an anniversary; June 2005 marks ten years since their first feature, Payback, made its inauspicious debut at Wichita State University. 5 Conversations also marks FOC’s return to the Orpheum Theatre, the downtown movie palace where they made their biggest splash with the 1998 premiere of My Day In The Barrel.

The past few years have seen a decline in the frequency of Films On Consignment projects, due chiefly to the success of the group’s theatrical off-shot, Theatre On Consignment. With 5 Conversations, Bailey was able to enjoy the best of both worlds.

The project began as an original play for the group’s “Poorman’s Theatre Festival”, a yearly search for new plays by local writers. Bailey submitted the play anonymously, and saw it selected for performance in May 2004. Bailey then lobbied to direct the play.


“I always intended to try to stage it myself, and then shoot a quickie film version,” he notes. “We’d done something similar to that with Barrel, but on this one, I wanted to make it even more a film of the play, with the entire cast intact.”

The play was performed, to great acclaim, on May 20-23, 2004. True to his word, the “quickie film version” went in front of cameras on May 27. First were two short evenings of the new “bookend” footage that would begin and end the movie—scene showing the characters before and after the events of the play.

On May 29, the cast and crew arrived early at Club Indigo, a bar in Wichita’s Old Town district, for two long days of shooting.

“The entire play takes place in the bar,” Bailey says, “and with the exception of the little bit of bookend footage, the film takes place there as well. We were lucky that we were doing a film that the actors had already performed on-stage, because normally you would have to take over a bar for at least a couple of weeks to shoot the bulk of a 100-minute film there.”

In shooting the lengthy, talky bar scenes, Bailey and director of photography Matt Frank each operated a Panasonic 24p video camera, shooting each of the two actors simultaneously—a choice that not only saved time on set, but allowed the actors more freedom to interact with each other and to keep their performances fresh.

Two of the “conversations” (conversation two and four) were shot in the first day, followed by the improvised interviews that begin the film and provide voice-over for the bookend footage. “That stuff was all improvised by the actors,” Bailey explains. “I had a list of possible questions, but no one had seen any of them. They were all expected to answer as their characters, and many of them provided some of the film’s best moments.”

The fourth and final day of shooting (May 30, 2004) entailed the shooting of three more “conversations” (conversations one, three, and five), followed by the footage of The Bartender (Meridith Jones) opening up the bar. The film wrapped by 6pm on Sunday, in time for Club Indigo to open up for its Sunday night patrons.

“By the time the movie was shot, I was just tired of the material,” Bailey says. “So we walked away from it for about six months to get some perspective.” In early 2005, director of photography Matt Frank (in his alternate role as editor) began assembling the footage for the May 28 premiere at the historic Orpheum Theatre.

“We’re very proud of the film,” Bailey says. “I think we started with a solid piece of material, well-acted by a top-notch cast, and did just enough tweaking to make it feel like a film without destroying what made it work on-stage.”

The film was presented by Films On Consignment and the Wichita Orpheum Theatre's Orpheum Film Series as a joint fund-raiser on May 28, 2005.


Order 5 Conversations online from indieflix.com!